AWE gives artists a direct line to their fans—powered by our ecosystem, collective, and SIGNL™, we provide the platform for fan ownership, engagement, and monetization.
Creators are building audiences they don’t own.
AWE Believes There’s A Better Way…
Creators are building audiences they don’t own.
Algorithms limit the reach
Streaming platforms pay fractions of a cent
Platforms profit off the audience scale
Brand deals favor the largest names
AWE Believes There’s A Better Way…
So We Started Building Our Own…
A content and promotion engine spanning musicdaily.com, social platforms, and partner channels—amplifying discovery, reach, and engagement at scale.
The infrastructure that gives artists direct control over fan relationships—from messaging and segmentation to analytics and monetization.
A curated and managed network of artists powered by Signl and amplified by the Music Daily Ecosystem that helps creators grow, engage, and monetize their fans.
So We Started Building Our Own…
A content and promotion engine spanning musicdaily.com, social platforms, and partner channels—amplifying discovery, reach, and engagement at scale.
A curated and managed network of artists powered by Signl and amplified by the Music Daily Ecosystem that helps creators grow, engage, and monetize their fans.
The infrastructure that gives artists direct control over fan relationships—from messaging and segmentation to analytics and monetization.
Built from years at the intersection of artists and audiences, the Music Daily Ecosystem is the first step toward a new model—where discovery, amplification, and engagement work together.
Built from years at the intersection of artists and audiences, the Music Daily Ecosystem is the first step toward a new model—where discovery, amplification, and engagement work together.
AWE connects independent artists into a coordinated network that unlocks brand campaigns, fan activations, and shared audience growth.
The larger the artist collective, the more powerful the campaigns.
AWE connects independent artists into a coordinated network that unlocks brand campaigns, fan activations, and shared audience growth.
The larger the artist collective, the more powerful the campaigns.
Powered by Signl™
The OS that transforms fan relationships into revenue
Powered by Signl™
The OS that transforms fan relationships into revenue
CRM & analytics
Social media scheduling
Automated messaging
Audience segmentation
Exclusive content drops
Live chats & Q&As
Polls & community posts
Cross artist recommendations
Brand partnerships
Paid subscriptions
Merch & digital sales
Ticketed events
More Collectives Coming Soon
Comedy Network • In Development
Future Verticals • Coming Soon
More Collectives Coming Soon
Comedy Network • In Development
Future Verticals • Coming Soon
Join Signl to own your own fanbase and earn on your own terms.
Partner with AWE to reach engaged and authentic audiences.
© American Weekend Entertainment, Inc. 2023. All rights reserved.
© 2026 American Weekend Entertainment, Inc. All rights reserved.
Join Signl to own your own fanbase and earn on your own terms.
Partner with AWE to reach engaged and authentic audiences.
With over three decades in the competitive, continually evolving world of digital media, Marc has held executive positions at such prominent media companies as Nexstar Media Group Match.com, AOL, Yahoo!, Broadcast.com and Belo Broadcasting. Marc’s ability to anticipate trends and innovate has enabled him to develop and transform businesses through the power of digital and traditional broadcast video
Gene’s experience brings an eclectic musical and production background to AWE. He trained as a classical musician and singer at the Manhattan School of Music, sang baritone with the New York City Opera, and later became a producer, composer and arranger for Atlantic Records.
Beginning in 1985, Gene owned and operated several production houses catering to major advertising and corporate clients. His musical training and experience has provided him with a finely tuned ear and great directorial expertise, which is reflected in his craftsmanship. Gene has a recognized style featuring strong creativity, high energy, and an emphasis on intricate production techniques.
Ted is an accomplished entertainment executive with experience in start-ups, major-market station management, artist development and management, business and programming development. Having direct experience in the Traditional, Digital, On-site, Social, Mobile and ‘Cross-Platform‘ media business, he has created innovative solutions for competitive and technical challenges facing customers and strategic partners. Specializing in revenue development through building and maintaining excellent relationships with clients, vendors, and staff, while ensuring seamless communication between internal and external groups and all essential vehicles of content distribution.
Ryan is currently a Senior at SUNY Fredonia with a Major in Music Industry and a Minor in Communications. His goals are to get a job in the music industry either with live performances or social media.
I am Paloma Pimentel, I am bilingual and speak English and Spanish. I am a senior at college, a practicing communicator and journalist. I have been to 19 countries and have a multi-cultural understanding of people and societies. I hope one day to become a communications expert.
Mel is an accomplished media entertainment executive with over twenty five years experience in multimedia sales, management, production and distribution for both large scale companies as well as start up environments.
A strong hands-on professional, he has developed and activated marketing programs for many fortune 500 brands including Microsoft, Mercedes, L’Oreal, Hennessy, Citi, and Kraft while at companies like CBS Interactive Music, Clear Channel Interactive, National Lampoon, Tribune and iHeart Radio.
An early adopter of cross-platform and branded integrations, Mel has also executive produced programs for broadcast television and streaming web including South Side Johnny Live (NYE Special), ‘Cool Notes’ Jazz, Segway Music Countdown, and iHeart Radio’s Jingle Ball.
“The Dark Side of the Moon cover intrigued me when I bought it in April 1973. I was 19 at the time and Pink Floyd was becoming a mainstream success with a growing fan base, myself included. The mind-blowing music coupled with lyrics exploring themes of alienation, loss, and materialism struck a personal note which echoes within me to this day.” MA
